"Andrea is a quirky, lonely, misfit and romantic individual who lives his life as if it were a black-and-white film, perpetually “out-of-sync” with the world around him... In the sultry, scorching August heat, he ventures by bicycle into a semi-deserted Rome, populated by a few surviving students, many elderly people and foreigners who cannot afford to vacation. Andrea intends to reach a supermarket where he can buy cans of tuna fish with which to continue accumulating points that will win him the mysterious “Happiness Coupon.” But if, among magical encounters, vicissitudes and bizarre happenings, reaching happiness is always a dream, pursuing it may turn out to be a nightmare... Besides, are we sure that, as they say, happiness makes one happy?"

A woman finds herself embroiled in a Kafkaesque legal nightmare when her husband gives away the cutesy romantic coupon she made for him to a stranger, and that stranger shows up on her doorstep demanding she honor it.

The day she starts speaking Swedish, 28-year-old Norwegian Edith also dreams herself into the center of a movie. But it turns out that changing languages isn’t enough to make her the main character.

Rock documentary with excellent production values, 29 July 2006 Author: Chris_Docker from Scotland, United Kingdom The film kicks off with a quote from Nirvana's Kurt Cobain, about his famous song, Smells Like Teen Spirit: "I was basically trying to rip off the Pixies." As a tribute documentary, loudQUIETloud goes on to explore the Pixies strange career and provide some clues to why they have been so influential. The Pixies established themselves musically with deep contrasts, not just in volume (as the title suggests) but by combining many strange elements, melodic and abrasive, and cryptic lyrics - they are almost like a David Lynch rock experience (one of their songs is a cover from a song in Lynch's early Eraserhead). What made them extraordinary is that they disbanded just as they approached critical acclaim (within six years) and didn't reap the benefits of their popularity until they re-formed nearly twelve years later - at which point this movie begins. Tickets for their 2004 reunion tour sold out in four minutes, but the band members are no longer young. As the film develops we see some have families with small children, but they all have outside interests, musical or otherwise, and 'being the Pixies' is hardly something they identify with beyond a sense of responsibility to make sure the live performances go well. The detachment is so great that a struggling interviewer, asking an innocuous question about whether they will make another album, is nonplussed that the band really haven't considered the question one way or the other. Lead singer Frank Black ('Black Francis') is a bulky, almost intimidating figure with a shaven head, so it's something of a revelation to see him doing positive affirmations before bed, telling himself, "I am a nice person, people like me . . ." Bassist Kim Deal looks with surprise at the blisters on her fingers after the first concert - Frank reassures her they'll get better in about a week. Both of them continue working on their own material while on tour, Kim for the Breeders and Frank on his solo work. The band seem to accept that it is not in their natures to talk to each other much, even when they are getting on fine, but they seem more mature than the days of early acrimony where one or the other would unilaterally make public announcements of the band's imminent break-up. The sound and camera-work throughout is first rate, so if you like the Pixies even a little bit, this is a rare opportunity to experience them at their best. For those who have never heard of them, you might recall the song, 'Where Is My Mind?' as the exit music to the film Fight Club, or sections from their records 'Gigantic' and 'Hang Wire in the United States of Leland. For fans, the song listing taken from the credits includes: Where is My Mind, Hey, Here Comes Your Man, U-Mass, Caribou, Gouge Away, Nimrod's Son, In Heaven, Wave of Mutilation, Something Against You, Bone Machine, Cactus, Vamos, Monkey Gone to Heaven and also the Breeders song Iris.

The untold story of one of rock 'n' roll's wildest and most influential bands, The Sonics. For the first time ever, all five original members of the band tell the story of how it all went down, beginning to end. Explore how a relatively unknown band from the Pacific Northwest became a worldwide phenomenon 50-years after their heyday, and in doing so, shaped music for decades to come.

It is highly probable that before their own death, everyone has to organise someone else’s funeral. This is by far not an easy task. In addition to the searing grief, dying also brings a number of tasks that are at once utterly alien and intensely time-critical. The main character of this film, Dovile, who unexpectedly has to bury her father, has to face the bedlam of exactly such a challenge. Overnight, the young girl has to become a skilful organiser of a family event, while also being a specialist on coffins, urns, wreaths and funeral feasts. Dovile’s journey towards organising a perfect funeral is inevitably full of hardship and mishaps, accompanied mainly by black humour and comical situations.

Comedian Kevin Yee makes a short film about making a short film.

Andrew Kaufman (1949 - 1984) was an American entertainer, actor, writer, performance artist and professional wrestler. A charismatic persona poured out of a bucket.

The story of a vagrant who arrives in a town in Hokkaido. With only a threadbare suit, an old pair of sneakers, and a bag containing all his worldly possessions, the proprietors of a local convenience store take pity on the man and bring him in.

From 1984 to 2019, Lynne Sachs shot film of her father, a bon vivant and pioneering businessman. This documentary is her attempt to understand the web that connects a child to her parent and a sister to her siblings. As the startling facts mount, Sachs as a daughter discovers more about her father than she had ever hoped to reveal.